picture from Kikuji Kawada's The Map
Last night Richard Flanagan won the Booker Prize with his novel, The Narrow Road to the Deep North. It's the story that connects to his father's experiences on the Thai-Burma Railway - as Flanagan says "Between 100,000 and 200,000 died. More than died at Hiroshima. More corpses than there are words in my novel."
Flanagan worked for 12 years to tell this story. He told it as a love story because he says that while war stories dark about death, war also illuminates love which is the greatest expression of hope. It's what we live for.
And because it's what we live for, it's what we want to read about. Flanagan has every reason to be self-indulgent and wallow in his father's misery, but it seems like he's translating the story for readership. He's reaching out, he's editing, he's adapting, he's simplifying, he's making it a story that has been written for the reader. It's written on the reader's terms. I think an interesting question here is how often do photographers do this?; go out to the reader and sacrifice their self-indulgence to tell the story well? How often do they do this, how often don't they do this?
I haven't read the book, I only read an excerpt that appeared in the Guardian at the Weekend. All six of the books were highlighted, but for me, Flanagan's (along with Ali Smith's) were the ones that stood out. Here's an excerpt.